From Idea to Print-Ready Model
No file? No problem. Our designers model your idea from a sketch, photo, or reference — ready to print or hand off as-is.
What's Included
- Up to 3 free revision roundsWe refine the design with you until it's right.
- Print-ready mesh deliverySTL / OBJ / 3MF, checked for manifold geometry.
- Editable source on requestSTEP or FreeCAD files available for an add-on fee.
- 3–5 working day typical turnaroundDepending on complexity and revision rounds.
Two Ways to Order
Pick the option that fits what you need — just the design, or the design printed and delivered to your door.
Modeling Only
You get print-ready STL/OBJ/3MF files designed from your sketch, photo, or idea — print them yourself, with us later, or with any other provider. No delivery step, no shipping wait.
- Best for makers who own a printer or want to shop the print around
- Fastest, most affordable way to get a finished design
- No delivery address needed — everything's handled over WhatsApp + email
How it works
- 1Submit your reference and WhatsApp number — no address required
- 2we send you a price quote
- 3Pay and designer starts modeling
- 4Review the design, request changes, and download your files once you're happy
Modeling + Printing
We design it, print it, and deliver it — one order covers the whole journey from idea to a finished physical part at your door.
- Best for anyone who just wants a finished, physical result — no CAD skills or printer needed
- One quote covers modeling and printing together, no separate orders
- Tracked delivery straight to your address
How it works
- 1Submit your reference, WhatsApp number, and delivery address
- 2Our designers bid and we send you a combined design + print price quote
- 3Pay, and your designer starts modeling
- 4Review the design, then we print it once you approve
- 5Tracked delivery to your door
Designing for 3D Printing
A part's cost, strength, and finish are mostly decided before it ever reaches a printer — in the shape itself. The tips below are about the geometry you design, not printer/slicer settings like infill or orientation.
Cost is mostly a function of how much plastic your shape actually needs and how much of it is wasted on things the printer has to fight through. Design choices that trim both bring the price down directly.
- Hollow out solid volumes.A solid block uses far more material and print time than a shelled version with the same outer shape. Add drain holes so trapped heat/material can escape cleanly.
- Replace bulk with ribs and gussets.A thin wall reinforced by a few ribs is lighter, cheaper, and often stronger than a thick solid wall doing the same job.
- Design to avoid support material.Every overhang that needs support costs you twice — the support material itself, and the labour to remove it afterwards. Self-supporting geometry (see the overhangs section below) skips both.
- Keep the bounding box tight.Height especially — a taller part takes more time layer by layer regardless of how little plastic is in each layer. Lay the design out to minimise unnecessary vertical reach.
- Skip fine detail that adds no function.Sub-millimetre engraving or ornamentation that won't be seen or felt just adds modelling and printing time for no real benefit — simplify it.
FDM parts are naturally weaker between layers than within a layer, so a strong design doesn't rely on the plastic being uniformly solid — it puts material where the load actually is and removes sharp features that concentrate stress.
- Fillet internal corners.A sharp 90° internal corner is a stress riser — cracks start there under load. A small radius spreads that stress out and can multiply the part's fatigue life.
- Use ribs instead of relying on thin cross-sections alone.A rib along the length of a wall resists bending far more efficiently than just making the whole wall thicker — more strength per gram of plastic.
- Thicken walls around fasteners and bosses.Screw bosses and snap-fit arms take repeated, concentrated force — undersized walls around them split first. Give these areas noticeably more thickness than the surrounding shell.
- Transition wall thickness gradually.An abrupt jump from thin to thick wall creates a weak point right at the step, and can warp as it cools unevenly. Taper between the two instead.
- Round living hinges and snap-fits generously.Sharp flex points fail after a handful of cycles; a generous fillet radius at the bend point lets the same feature flex thousands of times.
Most surface-quality problems trace back to a feature that's too small, too thin, or too exposed for the printing process to resolve cleanly — designing around these limits keeps the finish clean.
- Keep engraved/embossed detail above ~0.6–1 mm.Text or logos shallower or thinner than this blur together and lose readability — size lettering and detail with a real minimum in mind.
- Avoid walls thinner than ~0.8 mm.Below this they tend to print patchy, under-strength, or as pinholes rather than a clean solid surface.
- Prefer curves and fillets over sharp external edges.Curved surfaces hide the layer-line "staircase" effect far better than a crisp edge does, especially on visible faces.
- Keep unsupported flat spans short.Wide flat overhangs sag and print rough on the underside; breaking a large flat span into smaller sections keeps every part of it crisp.
- Add a small chamfer where vertical walls meet the base.Softens the visibility of first-layer squish ("elephant's foot") right at the bottom edge, where it's most noticeable.
- Tell us which faces are cosmetic.If a design has clear "show" surfaces and hidden ones, flag it in your order notes — it helps us plan support placement to protect the faces that matter.
These are the design mistakes that most often turn a cheap, quick print into an expensive, slow, or failed one.
FDM printing has real dimensional tolerance — typically around ±0.1–0.3 mm depending on the printer and material. Any two parts meant to fit together need clearance built into the design on purpose, rather than modelling both to the exact same nominal size.
| Fit Type | Clearance (per side) | Typical Uses |
|---|---|---|
| Press fit | 0.0 – 0.05 mm |
Permanent joints — pegs into sockets, bearing seats, parts you never want to come apart again. Too tight and it splits the surrounding wall as it's forced in; size it right and the parts grip on their own with no glue.
|
| Tight sliding fit | 0.1 – 0.2 mm |
Hinges, friction lids, parts that should move only when you push them and hold position the rest of the time. Gives noticeable resistance — the part stays where you leave it instead of drifting under its own weight.
|
| Standard sliding fit | 0.2 – 0.4 mm |
Drawers, telescoping sections, lids opened and closed often, moving mechanism parts. Moves freely by hand with no force needed, but not so loose that it wobbles.
|
| Loose / rotating fit | 0.4 – 0.6 mm |
Spinning axles, rotating hinge pins, wheels, gear shafts — anything that turns continuously. Needs the extra room so friction and minor print variance don't cause binding over thousands of rotations.
|
| General assembly gap | 0.5 mm+ per side |
Two separate printed parts bolted, screwed, or glued together — enclosure halves, brackets, panels. Just needs to physically seat without forcing; the fastener (not the plastic) is what holds it together.
|
Not sure which one your part needs? Tell us how the parts should behave together (permanent, occasional sliding, constant rotation, etc.) when you place your order and we'll size the clearance for you.
An overhang is any surface that extends outward without solid material directly beneath it. As a design rule of thumb, a wall angled more than about 45° from vertical starts to need help holding its own shape — beyond that angle it's worth changing the geometry itself, not just relying on the printer to support it.
How to design overhangs out:
- Chamfer instead of stepping.Replace a sharp horizontal ledge with a sloped 45°+ chamfer so each layer only ever oversails the one below it by a small, printable amount.
- Use teardrop or diamond holes on horizontal axes.A round hole printed sideways has a flat, unsupported top; a teardrop or diamond profile tapers to a point instead, so it holds its own shape as it closes in.
- Break up large flat overhangs.Split one wide unsupported span into a few smaller ones, or add fillets that double as permanent structural gussets rather than relying on removable support material.
- Fillet the transition from vertical to horizontal.A gradual curve is largely self-supporting where an abrupt 90° step is not — it turns a hard overhang into a mostly printable one.
Why it matters: unsupported overhangs sag, print stringy or rough on the underside, and can fail mid-print if they collapse. Where support is unavoidable, it adds material cost, removal labour, and leaves a visibly rougher patch where it touched the part — the same three costs covered in the sections above.